View the Trumpet Guild write-up of the 2012 Trumpet Festival
A spectacular trumpeter with a very wide range, a beautiful tone, and the ability to blend together many influences into his own style, Byron Stripling is also the artistic director of the Columbus Jazz Orchestra, leader of his own quartet, and constantly in demand to play with pops orchestras around the world. Byron is an extroverted performer who brings the audience into his music. The happiness that he exudes through his trumpet, his vocals and his words is reminiscent of Louis Armstrong yet very much his own.Byron Stripling was born in Atlanta, the son of a classical singer. “I heard gospel music in church early on. In our house, music was essential to everything. My father loved jazz including Miles Davis, Clark Terry and Louis Armstrong. My brother played clarinet and sax and I played trumpet, starting when I was ten or eleven. I did a lot of singing from the start because, when your father is the choir director, you have to sing whatever he needs each Sunday.” Due to his father's work, Byron's youth was spent in several locations including Atlanta, Kentucky, Colorado, Minnesota, St. Louis and Texas.Originally Byron enrolled at the Eastman School Of Music with plans to become a classical trumpeter. “I loved classical music but my heart kept on going to Clifford Brown, Lee Morgan and Kenny Dorham.” Already very technically skilled, he met Clark Terry during his freshman year and, after Terry heard him play, he asked Byron to join his big band. The 12-week tour was Byron's first trip to Europe and he had the opportunity to start friendships with such players as Branford Marsalis and Conrad Herwig.After returning to school, he was three months away from graduation when he realized that he would graduate with no gig. Byron called Clark Terry and asked what he should do now. “Clark called me back a short time later, said that he had talked to Lionel Hampton, and that Lionel wanted to offer me a job. The problem was that Lionel wanted me to join the band right then. I jumped at the chance and never went back to getting my degree. Performing was the most important thing for me.” It ended up being a very good move, starting Byron Stripling in the music business.During his year with Hampton, Byron was featured each night, usually on “When You're Smiling.” “He told me to play simple for him and he pushed me a lot in the direction of Louis Armstrong, whose music I loved anyway.” Next was a stint with the Woody Herman Orchestra and then in 1985, the trumpeter joined the Count Basie Orchestra, playing with the band on and off for four years during the periods when it was led by Thad Jones and Frank Foster. During a few months Dizzy Gillespie and Billy Eckstine toured with the band. He also had opportunities to play with orchestras led by Gillespie and Buck Clayton. Byron proved to be both a superb lead player and a colorful soloist who was quickly learning how to excite audiences.In 1988, after auditions were held all over the country, Byron Stripling was picked to play the lead in the musical Satchmo: America's Musical Legend. After opening in New Orleans, the show played in Atlanta, The Kennedy Center and North Carolina before finally closing in Boston. “For me, it was important as being one of the ways in which I learned how to integrate entertainment into a musical presentation in a comfortable way.” Later, Byron continued acting on an episode of the Young Indiana Jones Chronicles television series.In 1989, Byron Stripling first played with the Boston Pops Orchestra. “I had the opportunity to appear on the Boston Pops television show when it was conducted by John Williams. That has since led to a great deal of work with pops orchestras.” Byron developed several different shows that he performs with orchestras and so far he has appeared with over 50 different symphony and pops orchestras including the Boston Pops under the direction of Keith Lockhart and John Williams, the Pittsburgh Symphony, Detroit Symphony, Seattle Symphony, Baltimore Symphony, Minnesota Orchestra, National Symphony, St. Louis Symphony, Vancouver Symphony, Utah Symphony and the Toronto Symphony. Byron has also performed with the Lincoln Center Jazz Orchestra, the Carnegie Hall Jazz Band and the GRP All Star Big Band, he has worked in the studios, and his trumpet has been heard on numerous soundtracks of films and Broadway shows. A few years ago he was featured at the Monterey Jazz Festival with Dave Brubeck.In 2002, Byron Stripling became the artistic director and conductor of the Columbus Jazz Orchestra. He had performed previously with the Columbus Jazz Orchestra and, when the founder left after 30 years, Byron was the logical person to become his successor. “The Columbus Jazz Orchestra is an incredible organization that performs over 50 concerts a year in a beautiful concert hall. I take care of the programming, decide who the guest artists will be, come up with the concept, balance the artistic and the commercial, and work on any aspects of production that need help.” Byron has presented such guest artists as Branford Marsalis, Chuck Mangione, Patti Austin, John Pizzarelli, Mavis Staples, Melba Moore and Wycliffe Gordon but remains the orchestra's biggest draw. His performances are full of remarkable musicianship, wit, showmanship, and a joyous spirit.While the Columbus Jazz Orchestra, which recently recorded The Colors Of Jazz, takes up a portion of Byron Stripling's time, he also makes many guest appearances with pops orchestras, conducts occasional clinics and seminars at colleges and high schools, and tours extensively with his own quartet. Byron gets more of an opportunity to stretch out in the latter setting, making appearances at many festivals and clubs. He has recorded as a leader (Stripling Now, Trumpetblowingly Yours, and Byron, Get One Free) and is well featured with the New York All Stars on the CDs We Love You, Louis and Play More Music Of Louis Armstrong. Byron can also be heard on CDs with Tony Bennett, Natalie Cole, Lena Horne, Sonny Rollins, Paquito D'Rivera, Gerry Mulligan, J.J. Johnson, Carla Bley, Jim Hall, Jack McDuff, Freddie Cole, Carol Sloane Benny Green, the Joe Henderson Big Band, the Count Basie Orchestra, the GRP All-Star Band, The Carnegie Hall Jazz Band and numerous Broadway Cast Albums.For the future, Byron Stripling says, “I want to keep improving my ability to communicate musically to an audience, putting all of my influences and interests together while having the results be natural. There are always infinite possibilities in music.” One of the giants of the trumpet and an irresistible entertainer, Byron Stripling is always well worth seeing and hearing. One looks forward to his future accomplishments.-Scott Yanow
Virtuoso trumpeter Ryan Anthony is most notably known for his varied career as soloist, educator, chamber musician and orchestral player. Having departed the world-renowned brass ensemble Canadian Brass in 2003, Anthony quickly became one of the most sought after trumpet players in America, prompting the celebrated trumpeter, Doc Severinsen, to note: “He will be missed with [Canadian Brass], but I feel certain he will have a great and distinguished career as a soloist”. While Mr. Anthony’s technical skills are well known, his ability to combine that with an innate musicality and a profound connection with audiences is what sets him apart as a performer. Anthony continues to win over audiences and critics with his charismatic performances and artistic finesse. Reviews have said “In his hands, the horn gets beyond the stereotype to become a mouthpiece for the composer’s voice and performer’s personality” (Memphis Commercial Appeal) and “There must be other trumpet players in this world as fine as Ryan Anthony, but you’d never think so while listening to him play” (Fanfare Magazine). Highlights from Season 2010-2011 include Bach’s Brandenburg Concerto No. 2 with St. Louis Symphony Orchestra, premiere recording of Lowell Liebermann’s Trumpet Concerto with Dayton Philharmonic Orchestra, Artist in Residence for Arizona Music Fest, Shostakovich Piano Concerto No. 1 for Trumpet and Strings with the Dallas Symphony Orchestra and recording ‘Live 2010’ with the All-Star Brass Quintet, reuniting with former Canadian Brass colleague and trumpeter Jens Lindemann. Season 2011-2012 will include a repeat visit with the Pensacola Symphony for its annual New Year’s Eve Gala, All-Star Brass recording ‘Live 2011’, premiere recording with Dallas Symphony Orchestra Brass Quintet and numerous appearances with ‘Anthony & Beard’, an entertaining show that expands the repertoire for trumpet and organ. Ryan Anthony’s solo career started as a 16-year-old prodigy when he won the highly publicized Seventeen Magazine/General Motors Concerto Competition – the second person ever to win the Grand Prize after Joshua Bell. Subsequent teenage solo appearances included the Cleveland Orchestra, Detroit Symphony, Kennedy Center and State Department, Washington D.C., as well as a feature on WQXR radio New York City. In addition, being selected as a 1987 Presidential Scholar to winning both the John P. Paynter and Bank of America National Achievement Awards and his inclusion in Who’s Who in America are some of the early accolades he received. Since then he has appeared as soloist with over 30 ensembles including the Dallas, St. Louis, Springfield, Dayton, Winston-Salem Symphonies, IRIS, Wisconsin, Portland Chamber Orchestras and the Pershing’s Own Army Band, Washington D.C... Summer festivals with solo engagements include New Hampshire Music Festival, Eastern Music Festival, Piccolo Spoleto Festival, Sewanee Music Festival, Blast of Brass and international Pan-Pacific Music Festival, Sydney, Australia, Affinis Music Festival, Hiroshima, Japan, and Banff Music Festival, Alberta, Canada. After departing Canadian Brass in 2003, Mr. Anthony once again joined the ranks with Canadian Brass in the summer of 2006 as part of the “Dream Team” and appeared in additional performances and recordings for several more years. Prior to joining the Brass, he was a member of the Center City Brass Quintet and Burning River Brass whose recordings continue to enjoy air play on classical stations throughout the country. Other ensembles in which Ryan Anthony can be heard on recordings are with the Brass Band of Battle Creek, All-Star Brass Quintet, International Celebrity Trumpet Ensemble (made up of principal players throughout Europe and England) and multiple recordings with duo ‘Anthony & Beard’. Gary Beard, on both organ and piano, joins Mr. Anthony in a unique show that has won audiences over throughout this country as well as appearances in Russia and Canada. ‘Anthony & Beard’ along with Mr. Anthony’s solo recordings can be heard on the Opening Day Entertainment label. Mr. Anthony is currently Principal Trumpet with the Dallas Symphony Orchestra and since 2004 has also appeared as principal trumpet for the Los Angeles Philharmonic, Cincinnati Symphony Orchestra, St. Louis Symphony Orchestra, Colorado Symphony and played in the sections of New York Philharmonic, Cleveland Orchestra and Israel Philharmonic. As an educator he was Assistant Professor of Trumpet at Oberlin College Conservatory of Music prior to joining the Canadian Brass in 2000 and served as Artist/Faculty at North Carolina School of the Arts during 2004-2005. His master classes have spanned the globe to include leading conservatories in Europe, Asia, and North America. He is currently a Yamaha artist and has edited and recorded both the Haydn and Hummel Trumpet Concertos for Hal Leonard Publishing. A graduate of the Cleveland Institute of Music, Ryan Anthony received the school’s Alumni Achievement Award in 2001.
The Crowder Jazz Orchestra was formed in the fall of 2005 and grew out of a love for traditional big band jazz music and a need for a community-based ensemble in the Camp Crowder community. The band’s personnel are comprised of community and professional musicians alike. CJO has the ability to connect with audiences of all musical tastes and ages and often presents public concerts in tandem with educational outreach events. Recent concerts have included performances at the Webb City Jazz Festival, Crowder College, and Missouri Southern State University.
The collective credentials of this ensemble are extraordinary. Members of the group have performed with such luminaries as Joe Williams, Slide Hampton, Henry Mancini, Doc Severinsen, Aretha Franklin, Bernadette Peters, Charlie Haden, Woody Herman, Wayne Newton, Ben Vereen, The O’Jays, and many others.
This diverse ensemble presents repertoire ranging from classic jazz standards to arrangements by today’s leading big band composers and arrangers. Whether performing in concert halls, jazz festivals, or night clubs, the Crowder Jazz Orchestra brings excitement and style to every performance.
A versatile performer on the modern trumpet, Baroque trumpet, and the Renaissance cornetto, Jason Dovel joined the NSU music faculty in 2007. He has been a soloist and clinician at numerous universities throughout the country, including the University of Michigan, University of Memphis, University of Louisiana at Monroe, University of South Alabama, Bethune-Cookman University, Oakland University, Eastern Michigan University, Arkansas Tech University, and Eastfield College. He is a founding member and principal trumpet of the NSU Faculty Brass Quintet, who recently performed at the 2012 Oklahoma Music Educators Association convention in Tulsa. He is a member of the Symphony of Northwest Arkansas (Fayetteville, Arkansas) and Ash Lawn Opera (Charlottesville, Virginia) and also performs regularly with the Tulsa Symphony Orchestra, Tulsa Ballet, Tulsa Opera, and Tulsa Camerata.
Dr. Tom Smith is Professor of Trumpet at Edison State College in Fort Myers, Florida. He is also director of the Edison Symphony Orchestra; Symphonic Band; Jazz Ensembles; and the Edison Pops at Sunset Concert Series at ESC. A highly experienced musician, composer, and educator, Dr. Smith received the Doctor of Musical Arts degree in trumpet performance from the University of Texas at Austin, and the Bachelor’s and Master’s degrees from the Florida State University in Tallahassee, Florida. He has previously taught Trumpet at Montgomery College, Berry College, and the University of Texas. His teachers include Raymond Crisara; Carolyn Sanders; Bryan Goff; Ralph Montgomery; Betty Scott; and John Schnell.
He began performing professionally at the age of fourteen, and has shared the stage with numerous prominent artists and musical ensembles from many genres of music. Among these include performances with jazz greats Lionel Hampton; Diane Schuur; Charlie Haden; Duke Ellington Repertory Ensemble with Gunther Schuller; Freddie Hubbard; Don Ellis; Bill Watrous; Kim Richmond, and many others. He has performed with the Victoria Bach Festival Orchestra; the Rome Symphony Orchestra (GA); the Southwest Florida Symphony Orchestra; the Naples Opera Orchestra; the Chamber Players of the South; the Georgia Bach Festival Orchestra; and as Solo Cornetist at the North American Brass Band Association National Competition. Other credits include many engagements with traveling Jazz; Rock; and R&B groups; Circus and Rodeo bands; and Pit Orchestra performances with numerous Regional and National productions, including the Radio City Music Hall Rockettes; Camelot with Richard Harris; Peter Allen; and many others.
Trumpeter Alan Hood hails from the small upstate New York town of Pumpkin Hook and has been performing music for over 30 years. Mr. Hood toured the world with the Phil Collins Big Band, appearing at the Montreux and North Sea Jazz Festivals and New York City's prestigious Lincoln Center and Carnegie Hall. He is among featured soloists on the band's live compact disc recording "A Hot Night in Paris," on the Atlantic jazz label and appears on well over two dozen other jazz, commercial and classical recordings. Appearing with the orchestras of Woody Herman, Glenn Miller and Harry James, and performing on stage with Ray Charles, Doc Severinsen, Natalie Cole, Manhattan Transfer, Arturo Sandoval, the Richie Cole Alto Madness Orchestra, the Summit Brass, Jon Faddis, Conte Candoli, Clark Terry, Curtis Fuller and Wynton Marsalis, to name just a few, has rewarded Alan with an array of irreplaceable memories and a well spring of professional experience.
Dividing his career between performing and teaching full time at the University of Denver's Lamont School of Music as Associate Professor of Trumpet, Al directs the Lamont Jazz Ensemble and performs extensively with Lamont's artist-in-residence ensembles, the faculty brass quintet, Aries, and the faculty jazz combo, the Climb. Al hosted the highly acclaimed 2004 International Trumpet Guild conference at the Lamont School of Music and is currently the host and a faculty member of the annual esteemed Rafael Méndez Brass Institute, featuring the world-renown Summit Brass. As a freelance trumpeter he continuously performs and records in and beyond the Colorado region with the Denver Brass, the Ken Walker Jazz Sextet, the Aries Brass Quintet and Conjunto Colores. Alan is in the midst of his first solo CD recording project which will feature the arranging talents of Dave Hanson in various settings for trumpet, rhythm section, strings, sax, flute, oboe and French horn.Prior to his 1999 appointment with the University of Denver, Alan taught jazz trumpet and musicology at the University of Miami while pursuing a Doctor of Musical Arts degree in jazz performance. Mr. Hood holds a Bachelor of Music degree from the University of Kentucky and a Master of Music degree from Northern Illinois University, and has taught music at the University of Texas at Austin and the University of Richmond in Virginia. His trumpet mentors include Vince DiMartino, Ron Modell, Ray Crisara, Howard Rowe and the late Gil Johnson. As a clinician, Al has enjoyed working and performing with students from such places as the University of Minnesota, Western Michigan University, Indiana University, Pittsburg (KS) State University, East Tennessee State University, Wichita State University, Centre College, Cumberland College, University of Northern Colorado and Nagoya University of the Arts in Japan, to name a few. He has performed and has made presentations at the International Trumpet Guild conference, the International Association of Jazz Educators conference, the National Trumpet Competition, the Colorado Music Educators Association conference and at the International Association of Jazz Record Collectors conference. He has also served as a judge for the National Trumpet Competition, the International Trumpet Guild, the Carmine Caruso International Jazz Competition and at many Colorado and national jazz festivals.
A leading authority on the life and work of jazz trumpet legend, Clifford Brown, his doctoral research topic, Al has to his credit several published articles on Brown and has been invited to present his findings at international conferences. Dr. Nick Catalano's recent biography of Clifford Brown, published by Oxford University Press, showcases Al Hood's major contributions as chief research consultant and primary interviewer. His research will be utilized in a forthcoming documentary on Brown and he has been consulted by Jazz at Lincoln Center's Education Department for assistance with their new Brown exhibit that is now a part of the Nesuhi Ertegun Jazz Hall of Fame.
Al enjoys sharing time with his wonderful daughter Kyrié and exploring life, travel and photography with his wife Jennifer.
Iskander Akhmadullin, Associate Professor of Trumpet at the University of Missouri holds degrees from the Kazan Music College, the Moscow State Conservatory, and the University of North Texas. His major teachers were Abbas Slashkin, Vadim Novikov, Leonard Candelaria, and Keith Johnson. Dr. Akhmadullin has performed in several professional orchestras in Russia and the United States and can be heard on the Marco Polo, Naxos, Hugo, Klavier, and Delos labels. He is a co-principal trumpet of the Missouri Symphony Orchestra. Iskander Akhmadullin has performed as a soloist and as a member of various groups in the United States, Russia, Australia, Japan, Austria and Germany. Active as both a recitalist and a chamber musician, he has premiered a number of solo and chamber works and is continuously introducing new trumpet pieces by American composers to Russian audiences, while also presenting the American premieres of the works from the Russian trumpet repertoire. Mr. Akhmadullin was among the first Russian trumpet players to perform on the baroque trumpet. Professor Akhmadullin has been a member of the National Trumpet Competition and the Midwest Trumpet Festival faculties; he has performed at numerous festivals and conferences, including the Moscow Autumn Festivals, ABA, CBDNA, WASBE, Texas and Missouri Music Educators Associations conventions, Russian Trumpet Guild and the International Trumpet Guild Conferences.
Prior to joining the University of Missouri faculty, Iskander Akhmadullin taught at Southeastern Oklahoma State University. He is an Artist-Clinician for Edwards Trumpets.
Dr. Natalia Bolshakova studied at the Moscow Conservatory and the University of North Texas. She has been a prizewinner in many competitions, including the New Orleans International Piano Competition and the Ima Hogg Young Artist International Competition. Ms. Bolshakova has performed as a soloist with orchestras across the United States and in Europe.
Equally successful as a chamber musician, Dr. Bolshakova has been actively working with vocalists and instrumentalists. As a soloist and a collaborative chamber musician she has appeared in England, France, Germany, Russia, Czech Republic, Spain, Bulgaria, and in many states of the USA.The Gramophone magazine listed two Crystal Records albums of the trumpeter John Holt with Natalia Bolshakova among the best new recordings from North America in 2005.
She has been on the faculty of the School of Music at the University of Missouri since 2004.
Andrew Cheetham is the Assistant Professor of Trumpet at Eastern Illinois University. A native of Columbia, MO, Andrew attended the University of Texas at Austin where he earned a Bachelor's in Music Education, Master's in Trumpet Performance, and Performer's Certificate. Andrew also holds a D.M.A. from the Eastman School of Music, where he received a Certificate of Excellence in Performance, the Outstanding Teaching Assistant Award, and a minor in Musicology. As a classical and jazz trumpeter as well as group leader, Andrew has performed in and conducted various ensembles across the United States and in Europe.Andrew has experience as a band director in the Austin, TX public schools and has taught trumpet, led jazz ensembles and small groups, and taught various academic courses at all levels for nearly twenty years. Andrew is a former Assistant Professor of Trumpet and Jazz at Oklahoma State University, and has taught at Nazareth College, The University of Rochester, and the University of Texas. Most recently, Andrew was a trumpeter and ensemble leader in the United States Army, where he was often a featured trumpet soloist, performed in countless ceremonies, concerts and conventions all over the country, and received two Army Achievement medals for his work.
Dr. William Richardson serves as Associate Professor of Music at Northwest Missouri State University in Maryville, Missouri, where he teaches Applied Trumpet, Jazz Appreciation, and directs the Northwest Jazz Ensemble. A Fulbright Scholar, he served as Visiting Professor of Trumpet at the Jazeps Vitols Latvian Academy of Music during the spring, 2010, semester. He holds music degrees from the University of Texas at Austin, Florida State University, and Central Missouri State University.
Richardson is a member of the St. Joseph Symphony, the Maguire Street Brass Quintet, and the Northwest Bell Tower Brass. A Conn-Selmer clinician and performing artist, he has performed at numerous International Trumpet Guild Conventions, the 2006 National Trumpet Competition, the 2008 Phi Beta National Convention, and the 2010 Riga (Latvia) International Brass Symposium. He has published articles in the Journal of the International Trumpet Guild and the I.T.G. Junior newsletter.
Tito Carrillo is one of the finest trumpeters to emerge from Chicago’s rich jazz trumpet legacy. He is an accomplished trumpeter, educator, bandleader, and composer, and since 1996 he has been a fixture in the Chicago jazz and latin music scenes.A native of Austin, Texas, the list of artists he has performed, recorded, and toured with is as varied and impressive as his skill set. He has worked with Chicago heavyweights Willie Pickens, John Moulder, Patricia Barber, Ryan Cohan, and Dana Hall; big bands such as the Woody Herman Orchestra (Frank Tiberi, director), the Chicago Jazz Ensemble (Bill Russo and Jon Faddis, directors), the Chicago Jazz Orchestra (Jeff Lindberg, director), and the Smithsonian Jazz Masterworks Orchestra (David Baker, director); jazz greats such as drummer Louis Hayes, trumpeter Jon Faddis, and saxophonist Vincent Herring; Salsa legends such as Andy Montañez, Tony Vega, and Cheo Feliciano; latin jazz giants Tito Puente and Paquito D’Rivera; and pop icons Quincy Jones and Phil Collins. Recent performances include engagements with Grammy-nominated Cuban flute virtuoso Orlando “Maraca” Valle, Brazilian trumpet great Claudio Roditi, vocalist/Blue Note recording artist Jackie Allen, and the Chicago Afro-Latin Jazz Ensemble.Carrillo has played some of the most prestigious venues in the world, including Chicago’s Symphony Center, Carnegie Hall, the Kennedy Center, and London’s Royal Festival Hall. His work has been heard at international jazz festivals in Chicago, Telluride, Montreaux (Switzerland), the Netherlands, and Finland. He has appeared on over 20 CD recordings in his 14-year career, as well as the concert DVD “Quincy Jones: Live at Montreux 1996”.Tito Carrillo is also active in jazz education, and was appointed as full-time jazz trumpet professor at the University of Illinois at Urbana-Champaign in 2006. Prior to his appointment at Illinois, he served on the faculty at the Chicago College of Performing Arts at Roosevelt University, as well as at Northwestern University. He also has helped to spread jazz awareness to Chicago’s inner city schools through the Ravinia Jazz-in-the-Schools outreach program. He presently continues an active career as a guest artist/clinician at secondary and collegiate jazz programs across the nation.
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